{"id":2975,"date":"2019-01-21T10:00:47","date_gmt":"2019-01-21T09:00:47","guid":{"rendered":"http:\/\/ondrakozak.com\/en\/?p=2975"},"modified":"2025-01-16T17:34:34","modified_gmt":"2025-01-16T16:34:34","slug":"proc-co-a-jak-cvicim","status":"publish","type":"post","link":"https:\/\/ondrakozak.com\/en\/2019\/01\/cestina-proc-co-a-jak-cvicim\/","title":{"rendered":"(\u010ce\u0161tina) Pro\u010d, co a jak cvi\u010d\u00edm"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"https:\/\/ondrakozak.com\/cs\/wp-json\/wp\/v2\/posts\/2975\" class=\"qtranxs-available-language-link qtranxs-available-language-link-cs\" title=\"\u010ce\u0161tina\">\u010ce\u0161tina<\/a>.<\/p><p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2985\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2438_02_m.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2438_02_m.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2438_02_m-300x200.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2438_02_m-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>S n\u00e1strojem v ruce tr\u00e1v\u00edm \u010d\u00e1st ka\u017ed\u00e9ho dne. V posledn\u00ed dob\u011b si v mnoha oblastech \u017eivota sv\u00e9ho i kolem mne \u010dasto kladu ot\u00e1zku &#8220;<i>Pro\u010d?&#8221;<\/i>. Jednak se t\u00edm chyst\u00e1m na obdob\u00ed, kter\u00e9 co nevid\u011bt p\u0159ijde u na\u0161ich d\u011bt\u00ed, ale hlavn\u011b mi hled\u00e1n\u00ed odpov\u011bd\u00ed pom\u00e1h\u00e1 snadn\u011bji proplouvat spletitostmi modern\u00edho sv\u011bta. V tomhle \u010dl\u00e1nku odpov\u00edd\u00e1m na ot\u00e1zku, pro\u010d cvi\u010d\u00edm. Nejen sob\u011b, ale taky v\u00e1m, kter\u00e9 to zaj\u00edm\u00e1. Dovol\u00edm si p\u0159edpokl\u00e1dat, \u017ee v\u00e1s v tom p\u0159\u00edpad\u011b krom\u011b <i>pro\u010d<\/i> zaj\u00edm\u00e1 tak\u00e9 <i>jak<\/i>. Tenhle \u010dl\u00e1nek nen\u00ed jen o tom, pro\u010d a jak cvi\u010d\u00edm, ale tak\u00e9 o tom, jak bych cht\u011bl (nebo m\u011bl) cvi\u010dit. V\u00edm, \u017ee kdy\u017e ho budu ps\u00e1t tro\u0161ku ambici\u00f3zn\u011b, donut\u00ed m\u011b to pak cvi\u010dit v\u00edc a spr\u00e1vn\u011bji. Jak\u00e1 to pr\u016fhledn\u00e1 berli\u010dka nebo sp\u00ed\u0161 h\u016fl, \u017ee?<\/p>\n<h5>Kapitoly:<\/h5>\n<ul id=\"zalozky\">\n<li><a href=\"#motivace\">Moje motivace a inspirace<\/a><\/li>\n<li><a href=\"#proc\">Pro\u010d cvi\u010d\u00edm<\/a><\/li>\n<li><a href=\"#procne\">Pro\u010d necvi\u010d\u00edm<\/a><\/li>\n<li><a href=\"#cojeneni\">Co je to cvi\u010den\u00ed.<\/a><\/li>\n<li><a href=\"#navyky\">Dobr\u00e9 n\u00e1vyky pro cvi\u010den\u00ed<\/a><\/li>\n<li><a href=\"#coajak\">Co a jak cvi\u010d\u00edm<\/a><\/li>\n<li><a href=\"#metronom\">Metronom<\/a><\/li>\n<li><a href=\"#tipy\">P\u00e1r tip\u016f na z\u00e1v\u011br<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>Tento \u010dl\u00e1nek si m\u016f\u017eete tak\u00e9 poslechnout v audio verzi jako 18. d\u00edl <a href=\"https:\/\/atamusic.eu\/podcast\">ATAmusic podcastu<\/a>.<\/em><\/p>\n<hr \/>\n<h2><a name=\"motivace\"><\/a>Moje motivace a inspirace<\/h2>\n<p>Budou to t\u0159i roky, co jsem se rozhodl odej\u00edt ze &#8220;seri\u00f3zn\u00edho&#8221; zam\u011bstn\u00e1n\u00ed v\u011bdeck\u00e9ho pracovn\u00edka a \u017eivit se t\u00edm, co m\u011b bav\u00ed. Od t\u00e9 doby jsem \u010detl mimo jin\u00e9 n\u00e1sleduj\u00edc\u00ed t\u0159i knihy, je\u017e m\u011b nasm\u011brovaly na cestu, kterou se sna\u017e\u00edm ub\u00edrat dnes a denn\u011b.<\/p>\n<h3><i>Robert Vlach: Na voln\u00e9 noze<\/i><\/h3>\n<p>Jak jsem si ji pro sebe shrnul \u010dt\u011bte <a href=\"http:\/\/ondrakozak.com\/?p=1552\">zde<\/a> a pro \u00fa\u010dely tohoto \u010dl\u00e1nku cituji jeden z m\u00fdch z\u00e1v\u011br\u016f:<\/p>\n<blockquote><p>Naz\u00fdvat se profesion\u00e1ln\u00edm hudebn\u00edkem a hr\u00e1t tak, jak se ode m\u011b v dan\u00e9 situaci \u010dek\u00e1, nesta\u010d\u00ed. Mus\u00edm systematicky a pravideln\u011b cvi\u010dit, skl\u00e1dat, aran\u017eovat, vystavovat se nekomfortn\u00edm poloh\u00e1m na p\u00f3diu, ve zku\u0161ebn\u011b, ve studiu a p\u0159ed kamerou, kter\u00e9 m\u011b nut\u00ed se maxim\u00e1ln\u011b koncentrovat na v\u00fdkon, smyslupln\u011b improvizovat, inteligentn\u011b bavit a u toho se tv\u00e1\u0159it, \u017ee o nic nejde. Aspo\u0148 tak jsem si na sebe vzt\u00e1hl v\u00fdzvu autora k systematick\u00e9mu zvy\u0161ov\u00e1n\u00ed \u201cosobn\u00edho kapit\u00e1lu\u201d.<\/p><\/blockquote>\n<h3><i>Cal Newport: <\/i><i>So Good They Can&#8217;t Ignore You<\/i><\/h3>\n<p>V \u010de\u0161tin\u011b vy\u0161la jako <i>Tak dob\u0159\u00ed, \u017ee v\u00e1s nep\u0159ehl\u00e9dnou<\/i>. Vychvaloval ji Robert Vlach ve sv\u00e9 v\u00fd\u0161e zm\u00edn\u011bn\u00e9 knize. M\u011b osobn\u011b zp\u016fsob, jak\u00fdm je kniha psan\u00e1, moc neoslovil. P\u0159eskakoval jsem cel\u00e9 dlouh\u00e9 pas\u00e1\u017ee a dokola se opakuj\u00edc\u00ed argumentace a shrunt\u00ed. Kdy\u017e to velmi zjednodu\u0161\u00edm, z\u016fstalo ve m\u011b zejm\u00e9na ponau\u010den\u00ed z ob\u00e1lky knihy: Tvrd\u011b pracujte a v\u00fdsledky se dostav\u00ed.<\/p>\n<h3><i>Tom Heany: First, Learn To Practice<\/i><\/h3>\n<p>Tohle je jedna z nejl\u00e9pe hodnocen\u00fdch knih na t\u00e9ma <i>Jak spr\u00e1vn\u011b cvi\u010dit<\/i>. Tato ot\u00e1zka m\u011b logicky za\u010dala zaj\u00edmat, kdy\u017e jsem si na sebe vzt\u00e1hl z\u00e1v\u011bry z p\u0159edchoz\u00edch dvou knih. A taky proto\u017ee u\u010den\u00ed, kter\u00e9 u \u017e\u00e1k\u016f p\u0159edpokl\u00e1d\u00e1 dom\u00e1c\u00ed cvi\u010den\u00ed, je <a href=\"http:\/\/ondrakozak.com\/vyuka\">jedna z m\u00fdch hlavn\u00edch \u010dinnost\u00ed<\/a> a chci ji d\u011blat l\u00e9pe. Zna\u010dn\u00e1 \u010d\u00e1st tohoto \u010dl\u00e1nku vykr\u00e1d\u00e1 \u2013 pardon p\u0159ekl\u00e1d\u00e1 do \u010de\u0161tiny \u2013 z\u00e1v\u011bry pr\u00e1v\u011b t\u00e9to knihy, kterou doporu\u010duji k pozornosti v\u0161em aspo\u0148 malinko ambici\u00f3zn\u00edm hudebn\u00edk\u016fm.<\/p>\n<h2><a name=\"proc\"><\/a>Co m\u011b bav\u00ed na m\u00e9m hran\u00ed aneb pro\u010d cvi\u010d\u00edm<\/h2>\n<p>Hned na za\u010d\u00e1tku bych r\u00e1d uvedl na pravou m\u00edru jednu d\u016fle\u017eitou v\u011bc. Spousta zde uv\u00e1d\u011bn\u00fdch praktik a doporu\u010den\u00ed v\u00e1m m\u016f\u017ee p\u0159ipadat p\u0159ehnan\u00e1. Ka\u017ed\u00fd muzic\u00edruje z jin\u00fdch pohnutek a s jin\u00fdmi ambicemi. J\u00e1 se t\u0159eba sna\u017e\u00edm d\u011blat hudbu profesion\u00e1ln\u011b, co\u017e pro m\u011b neznamen\u00e1 jen hran\u00ed za pen\u00edze, ale zejm\u00e9na usilovn\u011b a nekone\u010dn\u011b pracovat na zlep\u0161ov\u00e1n\u00ed sv\u00fdch muzikantsk\u00fdch dovednost\u00ed a celkov\u00e9ho dojmu z vystoupen\u00ed. Navzdory sv\u00fdm rozs\u00e1hl\u00fdm lektorsk\u00fdm aktivit\u00e1m a z toho plynouc\u00edm domn\u011bnk\u00e1m mnoh\u00fdch \u017e\u00e1k\u016f mi v\u0161ak opravdu nevad\u00ed, kdy\u017e n\u011bkdo hraje mimo rytmus nebo zp\u00edv\u00e1 fale\u0161n\u011b. Skute\u010dn\u011b ne! Pokud ho\/ji takov\u00e9 muzic\u00edrov\u00e1n\u00ed d\u011bl\u00e1 \u0161\u0165astn\u00fdm\/\u0161\u0165astnou a z\u00e1rove\u0148 t\u00edm nekaz\u00ed \u0161t\u011bst\u00ed n\u011bkoho jin\u00e9ho (nap\u0159\u00edklad l\u00e9pe sly\u0161\u00edc\u00edch spoluhr\u00e1\u010d\u016f v kapele), vid\u00edm v tom zejm\u00e9na onu kr\u00e1su hudby \u2013 schopnost zkr\u00e1\u0161lit lidem \u017eivot. Pokud tedy hrajete nebo zp\u00edv\u00e1te &#8220;jak v\u00e1m ruce\/zob\u00e1k narostly&#8221; a d\u011bl\u00e1 v\u00e1m to takto radost, nenechte si ji pros\u00edm t\u00edmto \u010dl\u00e1nkem v \u017e\u00e1dn\u00e9m p\u0159\u00edpad\u011b vz\u00edt. M\u011b na muzice samoz\u0159ejm\u011b bav\u00ed spont\u00e1nnost a jej\u00ed p\u0159\u00edrodn\u00ed syrovost. N\u011bkdo zase r\u00e1d zp\u00edv\u00e1 p\u00edsni\u010dky sv\u00fdch idol\u016f, n\u011bkdo je r\u00e1d st\u0159edem pozornosti a proto hraje nahlas, n\u011bkdo m\u00e1 r\u00e1d adrenalin rychl\u00fdch temp, n\u011bkoho prost\u011b t\u011b\u0161\u00ed b\u00fdt obklopen kamar\u00e1dy \u2013 muzikanty atd. Pokud jsou tyhle v\u011bci pro v\u00e1s to hlavn\u00ed, tento \u010dl\u00e1nek v\u00e1s nejsp\u00ed\u0161 p\u0159\u00edli\u0161 nezas\u00e1hne. Jak jsem ale nazna\u010dil, ka\u017ed\u00e9mu dle jeho p\u0159\u00edstupu a pokro\u010dilosti d\u011bl\u00e1 hudba radost jin\u00fdm zp\u016fsobem. Mn\u011b osobn\u011b d\u011bl\u00e1 velkou radost, kdy\u017e zvuky, co vyluzuji, se tu a tam podobaj\u00ed nahr\u00e1vk\u00e1m m\u00fdch obl\u00edben\u00fdch interpret\u016f, kdy\u017e se mi da\u0159\u00ed hr\u00e1t do rytmu, kdy\u017e v improvizaci s\u00e1m sebe p\u0159\u00edjemn\u011b p\u0159ekvap\u00edm, kdy\u017e pozoruju zlep\u0161en\u00ed v kvalit\u011b t\u00f3nu a p\u011bveck\u00e9m rozsahu atp. Proto cvi\u010d\u00edm.<\/p>\n<p>Pokud c\u00edt\u00edte, \u017ee by va\u0161e muzic\u00edrov\u00e1n\u00ed mohlo zn\u00edt l\u00e9pe, pokra\u010dujte ve \u010dten\u00ed \u010dl\u00e1nku sm\u011ble d\u00e1l. Kdybyste si z n\u011bj odnesli jen jedinou praktickou informaci, jeho \u00fa\u010del byl spln\u011bn. (POZOR, PROZRAZEN\u00cd POINTY: Pros\u00edm, nech\u0165 je onou jedinou informac\u00ed &#8220;<i>Cvi\u010d s metronomem!<\/i>&#8220;). Pokud nic konkr\u00e9tn\u00edho nedostate\u010dn\u00e9ho ve sv\u00e9m hran\u00ed nesly\u0161\u00edte, zkuste sami sebe nahr\u00e1t a v klidu si to poslechnout. Po\u0159\u00e1d nevid\u00edte \u017e\u00e1dnou cestu ke zlep\u0161en\u00ed, av\u0161ak c\u00edt\u00edte, \u017ee to nen\u00ed ono? Pak bude fajn naj\u00edt si u\u010ditele, zajet na hudebn\u00ed d\u00edlnu (<a href=\"http:\/\/www.atamusic.eu\/atamusic-dilny\/\" target=\"_blank\" rel=\"noopener noreferrer\">t\u0159eba tu na\u0161i<\/a>) a\/nebo za\u010d\u00edt poslouchat dobr\u00e9 nahr\u00e1vky. O v\u00fdznamu poslouch\u00e1n\u00ed pro muzikanty jsem napsal <a href=\"http:\/\/ondrakozak.com\/?p=1759\">\u010dl\u00e1nek<\/a> p\u0159ed rokem a mimo jin\u00e9 tam p\u00ed\u0161u:<\/p>\n<blockquote><p>Poslechem dobr\u00e9 hudby cizelujete sv\u016fj vkus a tak dok\u00e1\u017eete sami snadn\u011bji posoudit kvalitu va\u0161\u00ed hry.<\/p><\/blockquote>\n<p>Jsem si jist\u00fd, \u017ee nahr\u00e1vky mi byly a jsou nejlep\u0161\u00edm u\u010ditelem. Nev\u00edm, jak jste na tom s respektem k autorit\u00e1m a tvrdohlavost\u00ed vy, ale na m\u011b v\u017edy v\u00edc ne\u017e doporu\u010den\u00ed u\u010ditel\u016f a kritik\u016f fungovalo m\u00e9 vlastn\u00ed uv\u011bdom\u011bn\u00ed si, \u017ee je n\u011bco \u0161patn\u011b a dalo by se to zlep\u0161it. A tohle zji\u0161t\u011bn\u00ed by t\u011b\u017eko mohlo p\u0159ij\u00edt, kdybych nem\u011bl srovn\u00e1n\u00ed s n\u011b\u010d\u00edm lep\u0161\u00edm \u2013 s nahr\u00e1vkami. P\u0159i poslechu nahr\u00e1vek je tak\u00e9 d\u016fle\u017eit\u00e9 tr\u00e9novat kritick\u00e9 sly\u0161en\u00ed. Slovy Toma Heanyho: <i>Get your ears used to &#8220;Perfect&#8221;<\/i>, tedy <i>Navykn\u011bte sv\u00e9 u\u0161i na to, co znamen\u00e1 perfektn\u00ed<\/i>. To pom\u00e1h\u00e1 l\u00e9pe odhalovat chyby ve vlastn\u00edm hran\u00ed. Kdy\u017e si dnes pust\u00edm nahr\u00e1vky z doby, kdy jsme za\u010d\u00ednali s mou <a href=\"http:\/\/bgkreni.sweb.cz\/\" target=\"_blank\" rel=\"noopener noreferrer\">prvn\u00ed kapelou<\/a>, sly\u0161\u00edm tam plno chyb, kter\u00e9 jsem tenkr\u00e1t v\u016fbec nevn\u00edmal. Postupem \u010dasu jsem se zlep\u0161il nejen v hran\u00ed, ale tak\u00e9 ve sly\u0161en\u00ed. A to pova\u017euju za minim\u00e1ln\u011b stejn\u011b d\u016fle\u017eit\u00e9. A taky proto dnes cvi\u010d\u00edm v\u00edc ne\u017e d\u0159\u00edv, proto\u017ee d\u00edky zbyst\u0159en\u00e9mu sluchu po\u0159\u00e1d sly\u0161\u00edm dal\u0161\u00ed a dal\u0161\u00ed nedostatky sv\u00e9ho hran\u00ed.<\/p>\n<p><a href=\"http:\/\/shop.atamusic.eu\/domains\/shop.atamusic.eu\/cs\/cd\/26-kreni-tohle-ja-znam.html\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"aligncenter wp-image-2990 size-full\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/kreni-2002-1.jpg\" alt=\"Skupina K\u0159eni. Foto: Nikolas Stergiadis\" width=\"400\" height=\"401\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/kreni-2002-1.jpg 400w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/kreni-2002-1-150x150.jpg 150w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/kreni-2002-1-300x300.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>A je\u0161t\u011b jeden d\u016fvod ke cvi\u010den\u00ed m\u00e1m. Jednodu\u0161e m\u011b bav\u00ed. Snad pro to v\u011bdom\u00ed, \u017ee cvi\u010den\u00ed opravdu funguje, proto\u017ee od doby, kdy cvi\u010d\u00edm opravdu ka\u017ed\u00fd den a efektivn\u011bji, pozoruji mnohem rychlej\u0161\u00ed zlep\u0161ov\u00e1n\u00ed se. Nejh\u016f\u0159 se mi poslouchaj\u00ed nahr\u00e1vky m\u00e9ho hran\u00ed na housle, ale p\u0159itom m\u00e1m ten n\u00e1stroj neskute\u010dn\u011b r\u00e1d. Moment\u00e1ln\u011b u\u017e asi 3 t\u00fddny skoro ka\u017ed\u00fd den za\u010d\u00edn\u00e1m t\u00edm, \u017ee cvi\u010d\u00edm na housle, i kdy\u017e m\u011b v dohledn\u00e9 dob\u011b \u017e\u00e1dn\u00e1 houslov\u00e1 v\u00fdzva ne\u010dek\u00e1. Prost\u011b m\u011b to bav\u00ed. Tom Heany p\u00ed\u0161e ve sv\u00e9 knize, \u017ee pokud v\u00e1s cvi\u010den\u00ed nebav\u00ed, mus\u00edte v\u011bci zkou\u0161et a m\u011bnit tak dlouho, a\u017e v\u00e1s to bavit za\u010dne. Jak prost\u00e9!<\/p>\n<h2><a name=\"procne\"><\/a>Pro\u010d necvi\u010d\u00edm<\/h2>\n<p>V rozhovorech pro <a href=\"http:\/\/www.atamusic.eu\/podcast\/\" target=\"_blank\" rel=\"noopener noreferrer\">ATAmusic podcast<\/a> se ob\u010das pt\u00e1m host\u016f, kte\u0159\u00ed u\u010d\u00ed, na nej\u010dast\u011bj\u0161\u00ed chyby jejich \u017e\u00e1k\u016f. U\u017e n\u011bkolikr\u00e1t jsem dostal odpov\u011b\u010f, \u017ee jim chyb\u00ed motivace a v\u00fddr\u017e p\u0159i dom\u00e1c\u00edm cvi\u010den\u00ed, bez kter\u00e9ho to p\u0159itom nejde. Je pravda, \u017ee bych mohl cvi\u010dit v\u00edc a hlavn\u011b c\u00edt\u00edm, \u017ee jsem mohl a m\u011bl cvi\u010dit v\u00edc v d\u011btstv\u00ed. Pro\u010d jsem necvi\u010dil, nebo pro\u010d obecn\u011b lid\u00e9 necvi\u010d\u00ed, kolik by cht\u011bli \u010di m\u011bli?<\/p>\n<h3><i>Je tolik dal\u0161\u00edch l\u00e1kadel, kter\u00fdmi se d\u00e1 p\u0159\u00edjemn\u011b str\u00e1vit \u010das. <\/i><\/h3>\n<p>Po\u010d\u00edta\u010d v pokoji m\u00e1m u\u017e od d\u011btstv\u00ed a i kdy\u017e mu vd\u011b\u010d\u00edm za mnoh\u00e9 dobr\u00e9, tak tak\u00e9 za to, \u017ee jsem cvi\u010dil m\u00e9n\u011b, ne\u017e bylo pot\u0159eba. Televizi u\u017e na\u0161t\u011bst\u00ed nem\u00e1m spoustu let a je to velk\u00fd p\u0159\u00edsp\u011bvek do \u010dasov\u00e9ho fondu. Stejn\u011b jako t\u0159eba dopln\u011bk do internetov\u00e9ho prohl\u00ed\u017ee\u010de <em>Kill News Feed<\/em>, kter\u00fd mi skr\u00fdv\u00e1 obsah Facebooku na po\u010d\u00edta\u010di. Taky si za\u010d\u00edn\u00e1m vym\u00fd\u0161let d\u016fmysln\u011bj\u0161\u00ed \u0159e\u0161en\u00ed pro lep\u0161\u00ed soust\u0159ed\u011bn\u00ed p\u0159i cvi\u010den\u00ed, jako t\u0159eba ned\u00e1vno instalaci op\u011brek na ruce u k\u0159esla p\u0159i pracovn\u00edm stole, tak\u017ee nem\u016f\u017eu prost\u011b u po\u010d\u00edta\u010de hr\u00e1t. Mus\u00edm vst\u00e1t a j\u00edt si sednout na jinou \u017eidli mimo dosah obrazovky.<\/p>\n<h3><i>U\u017e je pozd\u011b, jsem star\u00fd. Je mnoho lep\u0161\u00edch, kter\u00e9 nedo\u017eenu. <\/i><\/h3>\n<blockquote><p>Kdy\u017e sly\u0161\u00edm n\u011bkoho lep\u0161\u00edho, m\u00e1m chu\u0165 sp\u00e1lit kytaru\u2026<\/p><\/blockquote>\n<p>T\u00edmhle jsem na\u0161t\u011bst\u00ed nikdy netrp\u011bl a funguje to u m\u011b p\u0159esn\u011b obr\u00e1cen\u011b. Kdy\u017e sly\u0161\u00edm n\u011bkoho lep\u0161\u00edho, nejrad\u011bji bych ode\u0161el v p\u016flce koncertu proto, abych mohl hned za\u010d\u00edt cvi\u010dit. A u\u017e n\u011bjakou dobu se nesna\u017e\u00edm s nik\u00fdm pom\u011b\u0159ovat, proto\u017ee to nejde \u2013 muzika nen\u00ed sport. Ch\u00e1pu, \u017ee je n\u00e1m vrozen\u00e1 n\u011bjak\u00e1 sout\u011b\u017eivost, ale v muzice pro ni opravdu m\u00edsto nevid\u00edm. Pr\u00e1vo hr\u00e1t m\u00e1 \u00fapln\u011b ka\u017ed\u00fd!<\/p>\n<h3><i>Nebav\u00ed m\u011b to. <\/i><\/h3>\n<p>Cvi\u010den\u00ed m\u011b nebavilo v dob\u011b, kdy mi n\u011bkdo jin\u00fd \u0159\u00edkal, \u017ee bych cvi\u010dit m\u011bl. Bylo to typick\u00e9 cvi\u010den\u00ed podle osnov z\u00e1kladn\u00ed um\u011bleck\u00e9 \u0161koly, tedy stupnice, etuda, p\u0159ednes. Dnes to vn\u00edm\u00e1m jako skv\u011blou kombinaci, ale tenkr\u00e1t jsem prost\u011b nev\u011bd\u011bl, k \u010demu je dobr\u00e1 stupnice a etuda a rozhodn\u011b jsem je necvi\u010dil spr\u00e1vn\u011b. Dnes to v\u00edm a jejich cvi\u010den\u00ed m\u011b bav\u00ed. V\u00edm, \u017ee se p\u0159i nich m\u00e1m soust\u0159edit nejen na noty, ale i na t\u00f3n, intonaci, spr\u00e1vn\u00e9 pohyby rukou. Kdy\u017e v tom budu hledat p\u011bknou muziku, budu zklam\u00e1n, znud\u011bn a za\u010dnu tuhle \u010d\u00e1st cvi\u010den\u00ed p\u0159eskakovat, proto\u017ee to v\u011bt\u0161inou p\u011bkn\u00e1 muzika nen\u00ed.<\/p>\n<h2><a name=\"cojeneni\"><\/a>Co je to cvi\u010den\u00ed. A co nen\u00ed cvi\u010den\u00ed.<\/h2>\n<p>Podle Toma Heanyho m\u00e1 cvi\u010den\u00ed n\u011bkolik definic, nap\u0159.:<\/p>\n<ul>\n<li>Cvi\u010den\u00ed je hled\u00e1n\u00ed a osvojen\u00ed si ide\u00e1ln\u00edch pohyb\u016f, kter\u00e9 jsou pot\u0159eba pro hran\u00ed muziky.<\/li>\n<li>Cvi\u010den\u00ed je rozvoj a uchov\u00e1n\u00ed koordinace mezi u\u0161ima a rukama.<\/li>\n<li>Cvi\u010den\u00ed je \u00fa\u010deln\u00e9 opakov\u00e1n\u00ed.<\/li>\n<\/ul>\n<p>Podle m\u011b jsou v\u0161echny skv\u011bl\u00e9. J\u00e1 bych k tomu dodal, \u017ee cvi\u010den\u00ed vn\u00edm\u00e1m jako maxim\u00e1ln\u011b soust\u0159ed\u011bn\u00e9 zapojen\u00ed sluchu a zraku k tomu, abych kriticky hodnotil svoje hran\u00ed. Jedna ze z\u00e1sad, kterou Heany doporu\u010duje dodr\u017eovat, je b\u00fdt k sob\u011b up\u0159\u00edmn\u00fd a b\u011bhem cvi\u010den\u00ed se pt\u00e1t <em>&#8220;D\u011bl\u00e1m opravdu to, co si mysl\u00edm, \u017ee d\u011bl\u00e1m?&#8221;<\/em> Je toti\u017e pot\u0159eba \u0159\u00edct, \u017ee ne ka\u017ed\u00fd \u010das str\u00e1ven\u00fd s n\u00e1strojem je cvi\u010den\u00ed. T\u011bch dal\u0161\u00edch \u010dinnost\u00ed je spousta a jsou taky pot\u0159ebn\u00e9, u\u017eite\u010dn\u00e9 a z\u00e1bavn\u00e9, nap\u0159. hran\u00ed p\u00edsni\u010dek, skl\u00e1d\u00e1n\u00ed, aran\u017eov\u00e1n\u00ed, experimentov\u00e1n\u00ed se zvukem, improvizace, brnk\u00e1n\u00ed s nahr\u00e1vkami nebo u televize atd. Ale to nen\u00ed cvi\u010den\u00ed. Pokud je m\u00fdm c\u00edlem se v n\u011b\u010dem zlep\u0161it a v\u00edm, \u017ee cvi\u010den\u00ed k tomu pom\u00e1h\u00e1 (a mn\u011b pom\u00e1h\u00e1), d\u00e1v\u00e1m si pozor na to, jak sv\u016fj \u010das s n\u00e1strojem tr\u00e1v\u00edm. Proto\u017ee je mou p\u0159irozenost\u00ed (stejn\u011b jako u v\u011bt\u0161iny lid\u00ed) sklouz\u00e1vat k \u010dinnostem, kter\u00e9 mi jdou dob\u0159e. Ov\u0161em cvi\u010den\u00ed je pr\u00e1ce na v\u011bcech, kter\u00e9 mi nejdou a p\u0159i kter\u00fdch si p\u0159ipad\u00e1m jako neum\u011btel.<\/p>\n<p>B\u011bhem cvi\u010den\u00ed u\u010d\u00edme svaly spr\u00e1vn\u00fdm pohyb\u016fm, abychom pak na n\u011b nemuseli p\u0159i skute\u010dn\u00e9m hran\u00ed myslet a mohli se v\u011bnovat m\u00e9n\u011b technick\u00fdm v\u011bcem \u2013 proc\u00edt\u011bn\u00e9 prezentaci, emoc\u00edm, rytmick\u00e9 souh\u0159e v kapele, p\u00edsni jako celku (p\u0159\u00edb\u011bhu), \u00fasm\u011bv\u016fm a o\u010dn\u00edmu kontaktu se spoluhr\u00e1\u010di\/publikem, p\u0159edst\u00edr\u00e1n\u00ed, \u017ee to nic nen\u00ed, atd. Jedna z kapitol Heanyho knihy se proto jmenuje <em>Um\u00ed\u0161 to tehdy, kdy\u017e to um\u00ed tvoje ruce<\/em>. T\u00edm vysv\u011btluje, co je t\u00edm \u00fa\u010delem onoho opakov\u00e1n\u00ed, o kter\u00e9m p\u00ed\u0161e v jedn\u00e9 z definic cvi\u010den\u00ed (<em>Cvi\u010den\u00ed je \u00fa\u010deln\u00e9 opakov\u00e1n\u00ed<\/em>). V knize je pouk\u00e1z\u00e1no na rozd\u00edl mezi t\u00edm, jak se u\u010d\u00ed n\u00e1\u0161 mozek a jak se u\u010d\u00ed na\u0161e ruce. Hlava se u\u010d\u00ed nesrovnateln\u011b rychleji t\u00edm, \u017ee novou v\u011bc prozkoum\u00e1 a informaci o n\u00ed si spoj\u00ed s t\u011bmi u\u017e ulo\u017een\u00fdmi. Ale ruce, resp. svaly obecn\u011b takto nefunguj\u00ed. U t\u011bch se n\u00e1vyky vytvo\u0159\u00ed opakov\u00e1n\u00edm pohybu. To ale znamen\u00e1, \u017ee hlava to um\u00ed v\u017edycky rychleji ne\u017e ruce a \u010dasto m\u00e1me tendenci pova\u017eovat v\u011bc za zvl\u00e1dnutou, i kdy\u017e tomu tak vlastn\u011b nen\u00ed. A proto je pot\u0159eba p\u0159i cvi\u010den\u00ed zejm\u00e9na problematick\u00e1 m\u00edsta mnohokr\u00e1t zopakovat.<\/p>\n<p>Je z\u0159ejm\u00e9, \u017ee cvi\u010den\u00ed nen\u00ed zdaleka to stejn\u00e9 co hran\u00ed. Jsou to dokonce velice odli\u0161n\u00e9 \u010dinnosti, kter\u00e9 Tom Heany vystihl v n\u00e1sleduj\u00edc\u00ed tabulce.<\/p>\n<table>\n<tbody>\n<tr>\n<td>HRAN\u00cd<\/td>\n<td>CVI\u010cEN\u00cd<\/td>\n<\/tr>\n<tr>\n<td>soust\u0159ed\u011bn\u00ed na hudbu<\/td>\n<td>soust\u0159ed\u011bn\u00ed na pohyb<\/td>\n<\/tr>\n<tr>\n<td>pot\u011b\u0161en\u00ed z dobr\u00e9ho hran\u00ed<\/td>\n<td>pot\u011b\u0161en\u00ed ze zlep\u0161ov\u00e1n\u00ed se<\/td>\n<\/tr>\n<tr>\n<td>zaj\u00edm\u00e1 n\u00e1s celek<\/td>\n<td>zaj\u00edmaj\u00ed n\u00e1s kousky skladby<\/td>\n<\/tr>\n<tr>\n<td>v\u011bt\u0161ina rozhodnut\u00ed u\u017e byla u\u010din\u011bna<\/td>\n<td>st\u00e1le \u010din\u00edme rozhodnut\u00ed<\/td>\n<\/tr>\n<tr>\n<td>zapojujeme c\u00edt\u011bn\u00ed<\/td>\n<td>zapojujeme my\u0161len\u00ed<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2996\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2487_01.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2487_01.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2487_01-300x169.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2487_01-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2><a name=\"navyky\"><\/a>Dobr\u00e9 n\u00e1vyky pro cvi\u010den\u00ed<\/h2>\n<p>I kdy\u017e to nen\u00ed v\u00fdslovn\u011b zm\u00edn\u011bno, p\u0159ijde mi, \u017ee kniha Toma Heanyho c\u00edl\u00ed p\u0159ev\u00e1\u017en\u011b na instrumentalisty hraj\u00edc\u00ed klasickou hudbu. Ta, jak zn\u00e1mo, klade na hr\u00e1\u010de opravdu velk\u00e9 technick\u00e9 n\u00e1roky. S n\u00ed spojen\u00e1 didaktika je propracovan\u00e1 a vyv\u00edjela se des\u00edtky a stovky let. Nen\u00ed divu, \u017ee pokud chce \u010dlov\u011bk ve sv\u011bt\u011b v\u00e1\u017en\u00e9 hudby dos\u00e1hnout v\u00fdrazn\u011bj\u0161\u00edch \u00fasp\u011bch\u016f, m\u011bl by za\u010d\u00edt v d\u011btstv\u00ed a opravdu tvrd\u011b d\u0159\u00edt. Naproti tomu jsou ale \u017e\u00e1nry, kter\u00e9 technickou a teoretickou vybavenost hr\u00e1\u010d\u016f zdaleka tolik nevy\u017eaduj\u00ed a t\u011b\u017e\u00ed v\u00edc ze s\u00edly p\u00edsn\u011b, spont\u00e1nn\u00ed hudebnosti, lidov\u00fdch tradic nebo schopnosti improvizace. Mysl\u00edm, \u017ee bluegrass a z n\u011bj vych\u00e1zej\u00edc\u00ed hudba (co\u017e je muzika, kter\u00e9 se nejv\u00edc v\u011bnuji) si bere z ka\u017ed\u00e9ho n\u011bco. Na jednu stranu b\u00fdv\u00e1 rytmicky a harmonicky dost jednoduch\u00e1 na to, aby si i nov\u00e1\u010dek mohl zahr\u00e1t s profesion\u00e1ly. Na stranu druhou rychl\u00e1 tempa a d\u016fraz na p\u0159esn\u00e9 vok\u00e1ly vy\u017eaduj\u00ed pom\u011brn\u011b hodn\u011b dom\u00e1c\u00ed p\u0159\u00edpravy, pokud m\u00e1 v\u00fdsledek zn\u00edt dob\u0159e. Tady je p\u00e1r rad pro efektivn\u00ed cvi\u010den\u00ed, kter\u00e9 pova\u017euju za u\u017eite\u010dn\u00e9:<\/p>\n<h3><i>Cvi\u010dte pomalu<\/i><\/h3>\n<p>D\u00e1v\u00e1 n\u00e1m to pot\u0159ebn\u00fd \u010das k soust\u0159ed\u011bn\u00ed se na detaily. V pomal\u00e9m tempu v\u00edce vyniknou systematick\u00e9 (opakovan\u00e9) chyby, kter\u00e9 v rychlosti prost\u011b &#8220;tolik nevad\u00ed&#8221;, nap\u0159. r\u016fzn\u00e9 nep\u0159esnosti lev\u00e9 ruky, rytmick\u00e9 v\u00fdkyvy pohyb\u016f prav\u00e9 ruky, intona\u010dn\u00ed probl\u00e9my, nehudebn\u00ed pazvuky atd. Pomal\u00e9 tempo taky zmen\u0161uje svalov\u00e9 nap\u011bt\u00ed, hrajeme tedy v\u00edc uvoln\u011bn\u00ed (to chceme!).<\/p>\n<h3><i>Cvi\u010dte po \u010d\u00e1stech<\/i><\/h3>\n<p>Zahr\u00e1t p\u011btkr\u00e1t dokola celou p\u00edse\u0148 nen\u00ed cvi\u010den\u00ed. Pokud je v n\u00ed n\u011bjak\u00fd probl\u00e9m, dostaneme se k n\u011bmu pr\u00e1v\u011b jen p\u011btkr\u00e1t. Kdy\u017e se zam\u011b\u0159\u00edme jen na ono m\u00edsto, procvi\u010d\u00edme ho za stejn\u00fd \u010das mnohon\u00e1sobn\u011b v\u00edce. Ony &#8220;\u010d\u00e1sti&#8221; m\u016f\u017eou b\u00fdt jednak takty nebo skupinky takt\u016f, ale tak\u00e9 t\u0159eba jen rytmus dan\u00e9 pas\u00e1\u017ee nebo naopak jen v\u00fd\u0161ky n\u011bkolika po sob\u011b jdouc\u00edch not bez nutnosti cvi\u010dit je hned v rytmu. P\u0159\u00edklad: um\u00edm zahr\u00e1t s\u00f3lo, ale nedok\u00e1\u017eu na n\u011bj nastoupit v\u010das \u2013 to je probl\u00e9m rytmick\u00fd, k jeho\u017e \u0159e\u0161en\u00ed mo\u017en\u00e1 ani nen\u00ed nezbytn\u011b pot\u0159eba n\u00e1stroj (zkuste si to nejd\u0159\u00edve zazp\u00edvat), nato\u017e hr\u00e1t skladbu od za\u010d\u00e1tku do konce.<\/p>\n<h3><i>Cvi\u010dte jen soust\u0159ed\u011bn\u00ed<\/i><\/h3>\n<p>Pokud p\u0159i cvi\u010den\u00ed mysl\u00edm na n\u011bco jin\u00e9ho, je to sp\u00ed\u0161 brnk\u00e1n\u00ed. V\u011bt\u0161inou mi pom\u016f\u017ee d\u00e1t si kr\u00e1tkou pauzu. Ty je nicm\u00e9n\u011b dobr\u00e9 d\u011blat pravideln\u011b u jak\u00e9koliv soust\u0159ed\u011bn\u00e9 \u010dinnosti. Pokud m\u011b tr\u00e1p\u00ed jin\u00fd probl\u00e9m, kter\u00fd nem\u016f\u017eu pustit z hlavy, v\u011bt\u0161inou z toho cvi\u010den\u00ed moc nen\u00ed. Pro lep\u0161\u00ed soust\u0159ed\u011bn\u00ed taky pom\u00e1h\u00e1 vyhradit si na cvi\u010den\u00ed pevn\u00fd \u010das v ur\u010ditou denn\u00ed dobu.<\/p>\n<h3><em>Zapojte zrak<\/em><\/h3>\n<p>P\u0159i cvi\u010den\u00ed pou\u017e\u00edv\u00e1m r\u00e1d zrcadlo. Zrak dob\u0159e vid\u00edc\u00edch lid\u00ed je mnohem l\u00e9pe vytr\u00e9novan\u00fd smysl ne\u017e sluch. A proto\u017ee jsem vid\u011bl u\u017e spoustu skv\u011bl\u00fdch hr\u00e1\u010d\u016f, v\u00edm, jak u hran\u00ed vypadaj\u00ed jejich ruce, postoj, dr\u017een\u00ed n\u00e1stroje atd. Skoro v\u017edy to na m\u011b p\u016fsob\u00ed velmi uvoln\u011bn\u011b \u2013 jako by se nic ned\u011blo. A proto\u017ee se klon\u00edm k <a href=\"https:\/\/youtu.be\/IdhVC0DzfFY?t=32\" target=\"_blank\" rel=\"noopener noreferrer\">n\u00e1zoru Chrise Thileho<\/a>, \u017ee sp\u00ed\u0161 existuje ta spr\u00e1vn\u00e1 technika ne\u017e \u017ee je jedno (resp. individu\u00e1ln\u00ed v\u011bc\u00ed), jak to kdo dr\u017e\u00ed, sna\u017e\u00edm se kontrolovat svoje ruce a celkovou uvoln\u011bnost vizu\u00e1ln\u011b.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2986\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2459.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2459.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2459-300x200.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2459-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h3><i>Bu\u010fte optimisti\u010dt\u00ed<\/i><\/h3>\n<p>Proto\u017ee je prok\u00e1z\u00e1no, \u017ee cvi\u010den\u00ed pom\u00e1h\u00e1.<\/p>\n<h3><i>Bu\u010fte trp\u011bliv\u00ed a vytrval\u00ed<\/i><\/h3>\n<p>Existuje teorie, \u017ee pro dosa\u017een\u00ed \u0161pi\u010dkov\u00e9 \u00farovn\u011b v libovoln\u00e9 \u010dinnosti pot\u0159ebuje \u010dlov\u011bk 10.000 hodin tr\u00e9ningu. Je to samoz\u0159ejm\u011b t\u011b\u017eko prokazateln\u00e1 teze, nicm\u00e9n\u011b dobr\u00fdm hudebn\u00edkem se nestanete za t\u00fdden a \u0161pi\u010dkov\u00fdm za rok. Bude to cht\u00edt \u010das a trp\u011blivost. A proto\u017ee p\u0159ek\u00e1\u017eky zaru\u010den\u011b p\u0159ijdou, je fajn m\u00edt sepsan\u00e9 svoje c\u00edle a n\u011bjak\u00fd dlouhodob\u00fd pl\u00e1n cvi\u010den\u00ed a dr\u017eet se ho. M\u016f\u017ee b\u00fdt klidn\u011b velmi skromn\u00fd (1 \u2013 2 polo\u017eky), ale pom\u016f\u017ee hledat cestu nam\u00edsto v\u00fdmluv. J\u00e1 se nach\u00e1z\u00edm ve f\u00e1zi, kdy cvi\u010d\u00edm konkr\u00e9tn\u00ed skladby pro svou chystanou desku a pro sv\u00e1 s\u00f3lov\u00e1 vystoupen\u00ed, co\u017e je c\u00edl s\u00e1m o sob\u011b. Ale z doby, kdy jsem takhle jasn\u00e9 c\u00edle nem\u011bl, m\u00e1m se\u0161it, kde m\u00e1m na prvn\u00ed str\u00e1nce napsan\u00e9 dlouhodob\u00e9 c\u00edle (na prvn\u00edm m\u00edst\u011b je hr\u00e1t l\u00e9pe do rytmu\u2026). Ob\u010das se k n\u011bmu vrac\u00edm a na dal\u0161\u00edch listech zaznamen\u00e1v\u00e1m v\u00fdvoj. P\u00ed\u0161u si v\u011bci, kter\u00e9 jsem konkr\u00e9tn\u011b cvi\u010dil, te\u010f tam nap\u0159\u00edklad \u010dtu rok star\u00fd z\u00e1pis &#8220;vzory ze stupnic na sousedn\u00edch 2 strun\u00e1ch v protipohybu&#8221; (bohu\u017eel si nem\u016f\u017eu vzpomenout, co jsem t\u00edm myslel). Zna\u010d\u00edm si v\u011bci, kter\u00e9 mi ne\u0161ly a kter\u00e9 stoj\u00ed za to, abych se k nim vr\u00e1til. Zapisuji n\u00e1pady na dal\u0161\u00ed cvi\u010den\u00ed a teoretick\u00e9 pozn\u00e1mky ohledn\u011b &#8220;m\u00fdch&#8221; harmonick\u00fd objev\u016f na n\u00e1stroji, o kter\u00fdch jsem jist\u011b u\u017e n\u011bkolikr\u00e1t \u010detl, ale dokud si na to nep\u0159ijdu s\u00e1m, je to jen \u010dten\u00ed.<\/p>\n<h3><i>Ud\u011blejte si pohodl\u00ed<\/i><\/h3>\n<p>Pokud m\u00e1 cvi\u010den\u00ed fungovat, nem\u016f\u017eu \u0159e\u0161it, \u017ee je mi zima, \u017ee pro tmu nevid\u00edm na hmatn\u00edk, \u017ee m\u011b tla\u010d\u00ed \u017eidle, \u017ee mus\u00edm t\u0159ikr\u00e1t vst\u00e1vat pro n\u011bjakou pom\u016fcku, \u017ee jsem nezaplatil fakturu, \u017ee n\u00e1m pl\u00e1\u010de d\u00edt\u011b pod oknem atd. Co ned\u011bl\u00e1m, ale m\u011bl bych, je n\u011bjak\u00e9 fyzick\u00e9 rozcvi\u010den\u00ed, kter\u00e9 rozproud\u00ed krev v t\u011ble p\u0159ed hran\u00edm.<\/p>\n<h3><i>Bu\u010fte na sebe p\u0159im\u011b\u0159en\u011b p\u0159\u00edsn\u00ed<\/i><\/h3>\n<p>Opravdu cvi\u010d\u00edm, nebo si jen brnk\u00e1m? Poslouch\u00e1m, jak mi to doopravdy zn\u00ed, nebo mi v hlav\u011b hraje zn\u00e1m\u00e1 nahr\u00e1vka a m\u011b jen t\u011b\u0161\u00ed, \u017ee se tomu m\u00e9 hran\u00ed podob\u00e1? Kdy\u017e ud\u011bl\u00e1m chybu, vr\u00e1t\u00edm se kousek zp\u011bt a zkus\u00edm to znovu. Pokud se chyba opakuje, hodn\u011b zpomal\u00edm, sleduju prsty a p\u0159em\u00fd\u0161l\u00edm, kde d\u011blaj\u00ed systematickou chybu. Kdy\u017e mi n\u011bco nov\u011bj\u0161\u00edho st\u00e1le nejde, d\u00e1m si pauzu. Hlava to pot\u0159ebuje a po t\u00e9 chv\u00edli to ruce \u010dasto kupodivu zahraj\u00ed v pohod\u011b. D\u0159\u00edv jsem si t\u0159eba tvrdohlav\u011b um\u00ednil &#8220;Zahraju to p\u011btkr\u00e1t po sob\u011b bez chyby jinak nejdu sp\u00e1t&#8221;. To se mi moc neosv\u011bd\u010dilo, proto\u017ee jsem akor\u00e1t hr\u00e1l v k\u0159e\u010di a ve strachu z chyby.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2981\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2374.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2374.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2374-300x200.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2374-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2><a name=\"coajak\"><\/a>Co a jak cvi\u010d\u00edm<\/h2>\n<p>Jak bude va\u0161e cvi\u010den\u00ed prob\u00edhat samoz\u0159ejm\u011b z\u00e1le\u017e\u00ed na tom, jakou muziku hrajete, jak jste pokro\u010dil\u00ed a jak\u00e9 m\u00e1te ambice. Proto\u017ee hodn\u011b u\u010d\u00edm na <a href=\"http:\/\/www.atamusic.eu\/atamusic-dilny\/\" target=\"_blank\" rel=\"noopener noreferrer\">bluegrassov\u00fdch d\u00edln\u00e1ch<\/a>, uvedu zde doporu\u010den\u00ed, kter\u00e9 bych dal n\u011bjak\u00e9mu typick\u00e9mu \u00fa\u010dastn\u00edkovi takov\u00e9 akce. Vych\u00e1z\u00ed koneckonc\u016f z toho, jak a co cvi\u010d\u00edm j\u00e1. Samoz\u0159ejm\u011b zdaleka ne v\u017edy se dok\u00e1\u017eu n\u00e1sleduj\u00edc\u00edch bod\u016f dr\u017eet, ale jak u\u017e jsem zm\u00ednil v\u00fd\u0161e \u2013 to, \u017ee to te\u010f nap\u00ed\u0161u do \u010dl\u00e1nku, mi bude dal\u0161\u00edm bi\u010d\u00edkem dohl\u00ed\u017eej\u00edc\u00edm na to, abych pak skute\u010dn\u011b takto cvi\u010dil.<\/p>\n<h3><i>Rozehr\u00e1v\u00e1m (a rozezp\u00edv\u00e1v\u00e1m) se<\/i><\/h3>\n<p>A to nejen p\u0159ed vystoupen\u00edm, ale i p\u0159ed samotn\u00fdm cvi\u010den\u00edm. Neosv\u011bd\u010dilo se mi sko\u010dit rovnou na to nejt\u011b\u017e\u0161\u00ed, co pot\u0159ebuju nejv\u00edc cvi\u010dit. Proto\u017ee jsem nerozehran\u00fd a ruce jsou ztuhl\u00e9, zaru\u010den\u011b mi to nep\u016fjde moc dob\u0159e. Akor\u00e1t si vytvo\u0159\u00edm psychick\u00fd blok spojen\u00fd s danou pas\u00e1\u017e\u00ed nebo skladbou, kterou pak podv\u011bdom\u011b vn\u00edm\u00e1m jako opravdu t\u011b\u017ekou. To si s sebou samoz\u0159ejm\u011b hlava pak bere i na p\u00f3dium a s bl\u00ed\u017e\u00edc\u00ed se &#8220;kl\u00e1dou&#8221; p\u0159ech\u00e1z\u00ed do k\u0159e\u010de a hned za n\u00ed tak\u00e9 t\u011blo. V\u00fdsledek se d\u00e1 p\u0159edpov\u00eddat s velmi vysokou pravd\u011bpodobnost\u00ed. Kdy\u017e se mi to pak n\u00e1hodou poda\u0159\u00ed zahr\u00e1t dob\u0159e, ne\u010dekan\u00fd &#8220;\u00fasp\u011bch&#8221; m\u011b pravd\u011bpodobn\u011b rozhod\u00ed a pokaz\u00edm n\u011bco v n\u00e1sleduj\u00edc\u00ed chv\u00edli vinou nesoust\u0159ed\u011bnosti.<\/p>\n<p>Rozehr\u00e1v\u00e1m se tedy na n\u011b\u010dem, co zn\u00e1m dob\u0159e (klidn\u011b d\u011btsk\u00e1 p\u00edsni\u010dka, jednoduch\u00e1 instrument\u00e1lka, ale taky t\u0159eba jen dlouh\u00e9 t\u00f3ny, improvizace, stupnice) a ve velmi pomal\u00e9m tempu (40 \u2013 50 <a href=\"https:\/\/cs.wikipedia.org\/wiki\/Beats_per_minute\" target=\"_blank\" rel=\"noopener noreferrer\">bpm<\/a>). M\u00e1m tedy dost \u010dasu poslouchat, jestli mi to n\u011bkde nedrn\u010d\u00ed, nevr\u017ee \u010di nelad\u00ed (chci prim\u00e1rn\u011b vyloudit co nejhez\u010d\u00ed t\u00f3n) a z\u00e1rove\u0148 tr\u00e9nuju hran\u00ed v pomal\u00fdch tempech. V\u011bt\u0161inou se mi da\u0159\u00ed, aby tohle zn\u011blo dob\u0159e hned po chv\u00edli, proto\u017ee hraju jednoduchou nebo velmi zn\u00e1mou v\u011bc a je to hodn\u011b pomalu. To je d\u016fle\u017eit\u00e9 pro mou psychiku. Prost\u011b mi p\u0159ijde, \u017ee hraju kr\u00e1sn\u011b. Tahle f\u00e1ze m\u016f\u017ee trvat p\u011bt minut (c\u00edt\u00edm, \u017ee &#8220;to tam je&#8221; je\u0161t\u011b ze v\u010derej\u0161ka) ale taky p\u016fl hodiny. To kdy\u017e na dan\u00e9 t\u00e9ma za\u010dnu improvizovat a zkou\u0161et melodick\u00e9 variace v ji\u017e trochu rychlej\u0161\u00edm tempu, tak\u017ee to pak v\u00edc p\u0159ipom\u00edn\u00e1 muziku. Co a jak cvi\u010d\u00edm na housle ukazuji <a href=\"https:\/\/youtu.be\/n_LDWsO_sm4\" target=\"_blank\" rel=\"noopener noreferrer\">v tomto videu<\/a>.<\/p>\n<p>Co se t\u00fdk\u00e1 zp\u00edv\u00e1n\u00ed, za\u010dal jsem ho po technick\u00e9 str\u00e1nce \u0159e\u0161it relativn\u011b ned\u00e1vno \u2013 po na\u0161\u00ed prvn\u00ed <a href=\"http:\/\/www.atamusic.eu\/gvd\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gillov\u011b vok\u00e1ln\u00ed d\u00edln\u011b<\/a>. Byl jsem p\u0159ekvapen\u00fd, \u017ee se zp\u011bvem to funguje velmi podobn\u011b jako s hran\u00edm. Rozezp\u00edv\u00e1n\u00ed, d\u016fraz na spr\u00e1vnou techniku, cvi\u010den\u00ed a zejm\u00e9na pravideln\u00e9 pou\u017e\u00edv\u00e1n\u00ed hlasu (zp\u00edv\u00e1n\u00ed si doma) mi prost\u011b pom\u00e1h\u00e1. Po koncert\u011b lektor\u016f na lo\u0148sk\u00e9 d\u00edln\u011b <a href=\"http:\/\/www.atamusic.eu\/bgv\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bluegrass Vegas<\/a> mi to nez\u00e1visle na sob\u011b p\u0159i\u0161lo \u0159\u00edct asi \u0161est lid\u00ed, kte\u0159\u00ed m\u011b znaj\u00ed u\u017e n\u011bkolik let. Ale p\u0159edev\u0161\u00edm to c\u00edt\u00edm j\u00e1 s\u00e1m a to je nejd\u016fle\u017eit\u011bj\u0161\u00ed, proto\u017ee dobr\u00e9mu zp\u00edv\u00e1n\u00ed i hran\u00ed nesm\u00edrn\u011b pom\u00e1h\u00e1 psychika a jist\u00e1 d\u00e1vka sebev\u011bdom\u00ed.<\/p>\n<h3><i>Cvi\u010d\u00edm techniku<\/i><\/h3>\n<p>M\u00e1m p\u0159edstavu o tom, jak bych cht\u011bl, aby se pohybovala lev\u00e1 i prav\u00e1 ruka, a ob\u010das na to zkou\u0161\u00edm za\u0159adit n\u011bjak\u00e1 cvi\u010den\u00ed. Nap\u0159. pro prava\u010dku na kytaru <a href=\"https:\/\/en.wikipedia.org\/wiki\/Crosspicking\" target=\"_blank\" rel=\"noopener noreferrer\">crosspicking<\/a>\u00a0v r\u016fzn\u00fdch variant\u00e1ch, na housle r\u016fzn\u00e9 <a href=\"https:\/\/youtu.be\/hUs3hP20zzU\" target=\"_blank\" rel=\"noopener noreferrer\">shuffly<\/a>, pro leva\u010dku pak intervalov\u00e9 vzory ze stupnic nebo rozklady akord\u016f. Jo \u2013 a hraju to pomalu\u2026<\/p>\n<h3><i>Cvi\u010d\u00edm muziku<\/i><\/h3>\n<p>V m\u00e9 \u017e\u00e1kovsk\u00e9 kn\u00ed\u017ece z hudebn\u00ed \u0161koly by tato f\u00e1ze odpov\u00eddala polo\u017ece &#8220;p\u0159ednes&#8221;, zat\u00edmco p\u0159edchoz\u00ed dva body by byly ve sloupe\u010dku <i>Stupnice<\/i> a <i>Etuda<\/i>. V t\u00e9hle chv\u00edli u\u017e m\u011b ruce dost dob\u0159e poslouchaj\u00ed, jsem tak n\u011bjak s\u017eit\u00fd s n\u00e1strojem a jsem schopen jednak relativn\u011b rychle zahr\u00e1t na n\u00e1stroj, co si hlava vymysl\u00ed, a z\u00e1rove\u0148 dob\u0159e sly\u0161\u00edm nedostatky. M\u016f\u017eu tedy hr\u00e1t skladby, kter\u00e9 chyst\u00e1m na vystoupen\u00ed nebo nahr\u00e1v\u00e1n\u00ed, vym\u00fd\u0161let a spojovat licky, kter\u00e9 jsem pak schopen pou\u017e\u00edvat p\u0159i improvizac\u00edch, opakovat si star\u0161\u00ed reperto\u00e1r, u\u010dit se nov\u00e9 fiddle tunes nebo skladby z jin\u00fdch \u017e\u00e1nr\u016f (jazzov\u00e9 standardy, irsk\u00e9 skladby, atd.).<\/p>\n<p>R\u00e1d se taky v\u011bnuju rozvoji improviza\u010dn\u00edch schopnost\u00ed, tak\u017ee zkou\u0161\u00edm r\u016fzn\u00e9 variace a transpozice skladeb a melodick\u00fdch t\u00e9mat nebo voln\u011bj\u0161\u00ed improvizaci na z\u00e1klad\u011b n\u011bjak\u00e9ho harmonick\u00e9ho sch\u00e9matu (nap\u0159. dvan\u00e1ctitaktov\u00e9ho blues). T\u00edm se sice dost\u00e1v\u00e1m trochu mimo definici cvi\u010den\u00ed, ale je to pro m\u011b d\u016fle\u017eit\u00e9 a u\u017eite\u010dn\u00e9. V\u011bnuju se tak\u00e9 skl\u00e1d\u00e1n\u00ed, aran\u017eov\u00e1n\u00ed, transkripc\u00edm (p\u0159epis m\u00fdch nebo ciz\u00edch part\u016f do not\/tabulatury), dnes u\u017e sp\u00ed\u0161 v\u00fdjime\u010dn\u011b zkoum\u00e1m taky n\u011bjak\u00e9 instrukt\u00e1\u017en\u00ed materi\u00e1ly (\u0161koly, videa). Zato velmi r\u00e1d v aut\u011b poslouch\u00e1m podcasty. N\u011bkter\u00e9 z nich se v\u011bnuj\u00ed pr\u00e1v\u011b t\u00e9matu cvi\u010den\u00ed a zlep\u0161ov\u00e1n\u00ed se v muzice obecn\u011b (nap\u0159. <a href=\"https:\/\/www.musical-u.com\/learn\/welcome-musicality-podcast\/\" target=\"_blank\" rel=\"noopener noreferrer\">Musicality Podcast<\/a> a koneckonc\u016f i <a href=\"http:\/\/www.atamusic.eu\/podcast\/\" target=\"_blank\" rel=\"noopener noreferrer\">ten m\u016fj<\/a>).<\/p>\n<figure id=\"attachment_3279\" aria-describedby=\"caption-attachment-3279\" style=\"width: 290px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.atamusic.eu\/produkt\/ondra-kozak-overtones\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"wp-image-3279 size-full\" src=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/06\/titulka_square_m.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/06\/titulka_square_m.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/06\/titulka_square_m-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3279\" class=\"wp-caption-text\">V dob\u011b psan\u00ed toho \u010dl\u00e1nku m\u011b velmi zam\u011bstn\u00e1valo a bavilo aran\u017eov\u00e1n\u00ed skladeb pro mou s\u00f3lovou kytarovou desku Overtones.<\/figcaption><\/figure>\n<p>V posledn\u00ed dob\u011b se aktivn\u011b chyst\u00e1m na <a href=\"http:\/\/ondrakozak.com\/kalendar\/\">s\u00f3lov\u00e1 vystoupen\u00ed<\/a>, na kter\u00fdch mi velice z\u00e1le\u017e\u00ed a kter\u00e1 na m\u011b kladou mnohem v\u011bt\u0161\u00ed n\u00e1roky ne\u017e hran\u00ed v kapele. Velkou \u010d\u00e1st m\u00e9ho cvi\u010den\u00ed tedy tr\u00e1v\u00edm zkou\u0161en\u00edm \u017eiv\u00e9ho vystoupen\u00ed, co\u017e obn\u00e1\u0161\u00ed hran\u00ed ve stoje, na apar\u00e1t a s odposlechem. Skladby si nahr\u00e1v\u00e1m, s odstupem je poslouch\u00e1m a p\u0159em\u00fd\u0161l\u00edm, jak na m\u011b p\u016fsob\u00ed. Skoro v\u017edycky p\u016fsob\u00ed zbrkle, ne\u017e si \u010dasem a opakov\u00e1n\u00edm sednou. Zat\u00edm jsem se nedopracoval k tomu, \u017ee bych nainstaloval i p\u00f3diov\u00e9 osv\u011btlen\u00ed, to u\u017e bych si asi p\u0159ipadal malinko divn\u011b. Ale mnohokr\u00e1t jsem si ji\u017e na sob\u011b ov\u011b\u0159il, \u017ee \u010d\u00edm m\u00e9n\u011b v\u011bc\u00ed ponech\u00e1m n\u00e1hod\u011b a \u010d\u00edm v\u00edc ru\u0161iv\u00fdch vliv\u016f jsem schopen odfiltrovat, t\u00edm l\u00e9pe hraju a zp\u00edv\u00e1m. Proto tr\u00e9nuju vystupov\u00e1n\u00ed.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2980\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2396.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2396.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2396-300x200.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2396-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2><a name=\"metronom\"><\/a>Metronom<\/h2>\n<p>Kdy\u017e budete poslouchat \u017eiv\u00e9 nahr\u00e1vky nebo sledovat koncerty \u0161pi\u010dkov\u00fdch muzikant\u016f, zjist\u00edte zaj\u00edmavou v\u011bc. Ob\u010das d\u011blaj\u00ed chyby. Objevuj\u00ed se r\u016fzn\u00e9 nedohmaty, fale\u0161n\u00e9 noty, sem tam i vylo\u017een\u011b n\u011bjak\u00fd ten &#8220;soused&#8221;. Ale prakticky v\u017edy je to do rytmu. Proto to m\u00e1lokdo post\u0159ehne, p\u0159\u00edpadn\u011b se to pova\u017euje za z\u00e1m\u011br nebo se to p\u0159ip\u00ed\u0161e na vrub <i>feelingu<\/i>. Kdy\u017e se naproti tomu odehraje chyba rytmick\u00e1, podle jej\u00edho rozsahu si j\u00ed v\u0161imne n\u011bkolik lid\u00ed nebo \u00fapln\u011b ka\u017ed\u00fd, proto\u017ee to prost\u011b<i> p\u0159estane \u0161lapat, spadne \u0159emen, rozsypou se brambory<\/i> atp<i>.<\/i> Ne nadarmo je rytmus pova\u017eov\u00e1n za mo\u017en\u00e1 nejd\u016fle\u017eit\u011bj\u0161\u00ed v\u011bc v muzice. I skladby zd\u00e1nliv\u011b bez rytmu (<i>V\u00edne\u010dko b\u00edl\u00e9<\/i>) by p\u0159i jin\u00e9m rytmick\u00e9m pojet\u00ed prost\u011b zn\u011bly divn\u011b. Kdy\u017e jsem za\u010d\u00ednal hr\u00e1t na kytaru, zaj\u00edmalo m\u011b jako kluka p\u0159edev\u0161\u00edm jak\u00e9 noty hr\u00e1t (\u0159e\u0161il jsem tedy jejich v\u00fd\u0161ku) a vzru\u0161ovala m\u011b rychl\u00e1 a doj\u00edmala pomal\u00e1 tempa. Nebyl jsem od za\u010d\u00e1tku zvykl\u00fd cvi\u010dit v\u00fdhradn\u011b s metronomem, proto\u017ee i kdy\u017e jsem v\u011bd\u011bl, \u017ee je d\u016fle\u017eit\u00fd, \u0161lo to i bez n\u011bj. Hlavn\u011b doma (bez spoluhr\u00e1\u010d\u016f) to toti\u017e zn\u00ed rytmicky docela v po\u0159\u00e1dku. Probl\u00e9m nastane, kdy\u017e hrajeme s n\u011bk\u00fdm dal\u0161\u00edm, co\u017e chceme d\u011blat skoro v\u0161ichni. Ne \u017ee bych hr\u00e1val \u00fapln\u011b rytmicky \u0161patn\u011b, ale trp\u011bl jsem t\u00edm velmi \u010dast\u00fdm probl\u00e9mem, kdy m\u00e1 \u010dlov\u011bk v t\u011b\u017e\u0161\u00edch m\u00edstech tendenci malinko zrychlit. Asi aby to m\u011bl rychle za sebou nebo aby se u\u017e p\u0159esv\u011bd\u010dil, jestli usp\u011bl. Celek se sice nerozpadne, ale tok hudby dostane rytmick\u00fd kopanec a kapela nebo onen ne\u0161\u0165astn\u00edk na to pak mus\u00ed zareagovat. Na tenhle probl\u00e9m metronom upozor\u0148uje velice dob\u0159e a proto je dobr\u00e9 ho pou\u017e\u00edvat.<\/p>\n<p>Ale i do v\u011bt\u0161\u00edch probl\u00e9m\u016f se mohou muzikanti dostat cvi\u010den\u00edm bez rytmick\u00e9 opory. A tou nemus\u00ed b\u00fdt jen metronom, ale sta\u010d\u00ed i nahr\u00e1vka, klidn\u011b zpomalen\u00e1 (dnes to jde p\u0159\u00edmo na YouTube a v ka\u017ed\u00e9m slu\u0161n\u00e9m po\u010d\u00edta\u010dov\u00e9m p\u0159ehr\u00e1va\u010di). Loni jsem se potkal s n\u011bkolika \u017e\u00e1ky, kte\u0159\u00ed hr\u00e1li pom\u011brn\u011b t\u011b\u017ek\u00e9 skladby, ale kdy\u017e ud\u011blali chybu nebo m\u011bli v\u00fdpadek, danou pas\u00e1\u017e opakovali, m\u00edsto aby pokra\u010dovali podle doprovodu d\u00e1l. S takov\u00fdm \u010dlov\u011bkem je bohu\u017eel souhra utrpen\u00edm, resp. v\u011bc nemo\u017en\u00e1. Cvi\u010den\u00ed s metronomem, nahr\u00e1vkou nebo <a href=\"http:\/\/www.atamusic.eu\/programy-pro-hrani-doprovodu\/\" target=\"_blank\" rel=\"noopener noreferrer\">programem pro hran\u00ed doprovodu<\/a> tento velk\u00fd probl\u00e9m pom\u00e1h\u00e1 \u0159e\u0161it.<\/p>\n<p>Jin\u00fd probl\u00e9m p\u0159edstavuje postupn\u00e9 zrychlov\u00e1n\u00ed nebo (m\u00e9n\u011b \u010dast\u00e9) zpomalov\u00e1n\u00ed v pr\u016fb\u011bhu cel\u00e9 skladby \u010di s\u00f3la. Kdy\u017e to d\u011bl\u00e1 jeden hr\u00e1\u010d v\u00fdrazn\u011bji ne\u017e zbytek kapely, je pot\u0159eba to \u0159e\u0161it individu\u00e1ln\u011b cvi\u010den\u00edm s metronomem. Kdy\u017e to d\u011bl\u00e1 cel\u00e1 kapela v r\u00e1mci n\u011bkolika m\u00e1lo bpm a hlavn\u011b v\u0161ichni z\u00e1rove\u0148, osobn\u011b to nepova\u017euji za probl\u00e9m, kter\u00fd bych \u0159e\u0161il pou\u017e\u00edv\u00e1n\u00edm metronomu na zkou\u0161k\u00e1ch. Podle m\u011b je pak takov\u00e1 muzika, kdy nikdo nespust\u00ed o\u010di a u\u0161i z metronomu, malinko ustra\u0161en\u00e1 a nudn\u00e1. A z\u016fst\u00e1v\u00e1 nudnou, i kdy\u017e se pak metronom vypne. Nicm\u00e9n\u011b se na to pohledy r\u016fzn\u00ed a pokud m\u00e1te v kapele rytmick\u00e9 probl\u00e9my, m\u016f\u017eete tohoto nekonfliktn\u00edho \u010dlena na zkou\u0161ku p\u0159izvat.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2979\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2360.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2360.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2360-300x200.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/OKP_2360-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Je celkem jedno, jak\u00fd metronom pou\u017e\u00edv\u00e1te (kv\u016fli p\u0159esnosti preferuji digit\u00e1ln\u00ed), ale m\u00e1m p\u00e1r doporu\u010den\u00ed k tomu, jak ho pou\u017e\u00edvat:<\/p>\n<ul>\n<li>Mus\u00ed hr\u00e1t dostate\u010dn\u011b nahlas a mus\u00edte ho vn\u00edmat. Jsou lid\u00e9, kte\u0159\u00ed dok\u00e1\u017eou \u00fasp\u011b\u0161n\u011b hr\u00e1t celou skladbu \u00fapln\u011b mimo jeho \u0165uk\u00e1n\u00ed a nep\u0159ijde jim, \u017ee je n\u011bco \u0161patn\u011b. V\u017edy\u0165 <i>hraju s metronomem<\/i>! S t\u00edm souvis\u00ed n\u00e1sleduj\u00edc\u00ed rada:<\/li>\n<li>Pou\u017e\u00edvejte ho, jen kdy\u017e je pot\u0159eba. Co\u017e je skoro v\u017edy, ale pokud v\u00e1m \u0165uk\u00e1 a vy p\u0159itom t\u0159eba jen hled\u00e1te pozice t\u00f3n\u016f na hmatn\u00edku, p\u011bstujete si schopnost ho ignorovat. V tu chv\u00edli toti\u017e pouze ru\u0161\u00ed.<\/li>\n<li>Ne\u017e za\u010dnete hr\u00e1t, chv\u00edli ho pouze poslouchejte. M\u011bli bychom se v tempu p\u00edsn\u011b\/s\u00f3la\/pas\u00e1\u017ee &#8220;zabydlet&#8221; je\u0161t\u011b p\u0159ed t\u00edm, ne\u017e za\u010dneme hr\u00e1t.<\/li>\n<li>Klidn\u011b ho nechejte \u0165ukat \u010dasto (hust\u011b), nap\u0159\u00edklad na ka\u017edou osminovou nebo i \u0161estn\u00e1ctinovou notu, v principu s ka\u017ed\u00fdm nebo s ka\u017ed\u00fdm druh\u00fdm brnknut\u00edm. To v\u00e1m d\u00e1 okam\u017eitou informaci o tom, ve kter\u00e9m m\u00edst\u011b je rytmick\u00fd probl\u00e9m. Pokud ale va\u0161e hra netrp\u00ed na to, \u017ee by noty byly ve shluc\u00edch, pak m\u016f\u017eete klidn\u011b experimentovat s dal\u0161\u00edmi nastaven\u00edmi metronomu, nap\u0159. nechat si ho \u0165ukat na lehk\u00e9 doby (to, co \u010dasto hraje mandol\u00edna\/mal\u00fd buben), jen jednou do taktu a to i na r\u016fzn\u00fdch pozic\u00edch (t\u0159eba 7. osmina v taktu) nebo je\u0161t\u011b \u0159id\u010deji (n\u011bkter\u00e9 metronomy um\u00ed \u0165ukat velmi pomalu, nap\u0159. <a href=\"https:\/\/play.google.com\/store\/apps\/details?id=com.andymstone.metronome&amp;hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">tento<\/a> dokonce jen jedenkr\u00e1t za minutu \u2013 1 bpm). Zat\u00edm nejsem ve f\u00e1zi, kdy bych v t\u011bchto nastaven\u00edch metronomu nach\u00e1zel u\u017eitek, ale t\u0159eba, snad, jednou\u2026 Jist\u00e9 je, \u017ee \u0159id\u0161\u00ed \u0165uk\u00e1n\u00ed v\u00e1s nut\u00ed v\u00edce spol\u00e9hat na va\u0161e vnit\u0159n\u00ed hodiny a tak je tr\u00e9novat.<\/li>\n<li>Zd\u00e1 se v\u00e1m, \u017ee hrajete v perfektn\u00ed synchronizaci s metronomem? Zkuste si kousek sebe nahr\u00e1t, ide\u00e1ln\u011b v pomal\u00e9m tempu a do n\u011bjak\u00e9ho nahr\u00e1vac\u00edho programu, kter\u00fd va\u0161e &#8220;mrkvi\u010dky&#8221; vystav\u00ed nemilosrdn\u00e9mu vizu\u00e1ln\u00edmu soudu. Tohle je probl\u00e9m, kter\u00fd vad\u00ed zejm\u00e9na ve studiu p\u0159i nahr\u00e1v\u00e1n\u00ed do n\u011bjak\u00e9ho rytmick\u00e9ho podkladu.<\/li>\n<\/ul>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-2983\" src=\"http:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/mrkvicky.jpg\" alt=\"\" width=\"800\" height=\"428\" srcset=\"https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/mrkvicky.jpg 800w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/mrkvicky-300x161.jpg 300w, https:\/\/ondrakozak.com\/wp-content\/uploads\/2019\/01\/mrkvicky-768x411.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<h2><a name=\"tipy\"><\/a>P\u00e1r tip\u016f na z\u00e1v\u011br<\/h2>\n<p>Pro v\u00e1s, co jste do\u010detli a\u017e sem, m\u00e1m je\u0161t\u011b p\u00e1r osv\u011bd\u010den\u00fdch tip\u016f:<\/p>\n<ul>\n<li>Ka\u017ed\u00e1 sebemen\u0161\u00ed p\u0159ek\u00e1\u017eka br\u00e1n\u00edc\u00ed ve cvi\u010den\u00ed m\u016f\u017ee znamenat v\u00fdhru l\u00e1kav\u011bj\u0161\u00ed z\u00e1bavy (internet, televize, hran\u00ed po\u010d\u00edta\u010dov\u00fdch her, sledov\u00e1n\u00ed vide\u00ed, na kter\u00fdch n\u011bkdo jin\u00fd hraje po\u010d\u00edta\u010dovou hru atp.). Proto svoje n\u00e1stroje ukl\u00e1d\u00e1m do kufr\u016f jen na cest\u00e1ch. Doma jsou po ruce a ide\u00e1ln\u011b ve stojanu.<\/li>\n<li>V\u0161echny v\u011bci, kter\u00e9 pot\u0159ebuji ke cvi\u010den\u00ed, se sna\u017e\u00edm m\u00edt po\u0159\u00e1d nachystan\u00e9. T\u0159i z\u00e1kladn\u00ed v\u011bci \u2013 metronom, ladi\u010dku a nahr\u00e1v\u00e1tko \u2013 m\u00e1m v mobilu a ten m\u00e1m tak jako tak u sebe v\u017edy. Pak ob\u010das n\u011bjak\u00e9 noty, texty a seznamy skladeb. Jsem r\u00e1d, kdy\u017e to nemus\u00edm hledat a proto to nejrad\u011bji ukl\u00e1d\u00e1m na byteln\u00fd notov\u00fd stojan.<\/li>\n<li>U harmonicky slo\u017eit\u011bj\u0161\u00edch skladeb (m\u00e9n\u011b pokro\u010dil\u00ed hr\u00e1\u010di to ale samoz\u0159ejm\u011b ocen\u00ed i u relativn\u011b jednodu\u0161\u0161\u00edch kousk\u016f) se hod\u00ed pou\u017e\u00edvat n\u011bjak\u00fd program pro hran\u00ed doprovodu. Pokud m\u00e1te v\/na n\u00e1stroji sn\u00edma\u010d nebo mikrofon, poslou\u017e\u00ed skv\u011ble <a href=\"http:\/\/ondrakozak.com\/en\/?p=1956\">looper<\/a>. Ned\u00e1vno jsem byl na workshopu <a href=\"http:\/\/caseydriessen.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Casey Driessena<\/a>. Ukazoval, jak si pro cvi\u010den\u00ed rychle vytvo\u0159\u00ed v looperu rytmick\u00fd z\u00e1klad a na n\u011bm zkou\u0161\u00ed r\u016fzn\u00e1 cvi\u010den\u00ed (stupnice, intervaly, rozklady akord\u016f, improvizace). To pak jist\u011b \u010dlov\u011bka bav\u00ed o trochu v\u00edc ne\u017e prost\u00fd metronom.<\/li>\n<li>Kdo m\u00e1 r\u00e1d statistiku a chce dal\u0161\u00ed stimul ke cvi\u010den\u00ed, m\u016f\u017ee si \u010das str\u00e1ven\u00fd n\u00e1strojem velmi snadno m\u011b\u0159it nap\u0159. pomoc\u00ed aplikace <a href=\"https:\/\/www.toggl.com\/app\/timer\" target=\"_blank\" rel=\"noopener noreferrer\">Toggl<\/a>. Tohle jsem vydr\u017eel jen m\u011bs\u00edc.<\/li>\n<li>Dal\u0161\u00ed tipy na vychyt\u00e1vky pro muzikanty jsem sepsal do <a href=\"http:\/\/ondrakozak.com\/?p=2750\">tohoto \u010dl\u00e1nku<\/a>.<\/li>\n<li>Pokud m\u00e1te probl\u00e9m se ke cvi\u010den\u00ed donutit, stanovte si n\u011bjak\u00fd c\u00edl, kter\u00fd budete ve\u0159ejn\u011b deklarovat. A\u0165 u\u017e to bude domluven\u00e9 vystoupen\u00ed v domov\u011b d\u016fchodc\u016f, holedb\u00e1n\u00ed se kamar\u00e1dovi, \u017ee se do p\u0159\u00ed\u0161t\u00edho jamu nau\u010d\u00edte novou instrument\u00e1lku, p\u0159ihl\u00e1\u0161ka na d\u00edlnu, nebo p\u0159\u00edslib rodin\u011b, \u017ee si u v\u00e1no\u010dn\u00edho strome\u010dku zazp\u00edv\u00e1te francouzskou koledu. J\u00e1 s\u00e1m si tyhle &#8220;tortury&#8221; chyst\u00e1m a funguj\u00ed (snad d\u00edky m\u00e9 tvrdohlavosti, sklon\u016fm k punti\u010dk\u00e1\u0159stv\u00ed a obav z trapasu) naprosto skv\u011ble.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>K zamy\u0161len\u00ed<\/h2>\n<p>Mysl\u00edm, \u017ee to byl Woody Allen, kdo \u0159ekl, \u017ee <i>jen dostavit se znamen\u00e1 80% \u00fasp\u011bchu<\/i>. Tak\u017ee klidn\u011b zapome\u0148te na v\u0161echny rady, co jste \u010detli v tomto \u010dl\u00e1nku, v knize Toma Heanyho nebo kdekoliv jinde. Pokud je ten v\u00fdrok pravdiv\u00fd, 80% sv\u00e9ho zlep\u0161en\u00ed si m\u016f\u017eete pojistit u\u017e t\u00edm, \u017ee si pravideln\u011b sednete s n\u00e1strojem. A m\u016f\u017eete vlastn\u011b i st\u00e1t.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>Pokud se v\u00e1m \u010dl\u00e1nek l\u00edbil, sd\u00edlejte ho s p\u0159\u00e1teli. M\u016f\u017eete m\u011b <a href=\"https:\/\/ondrakozak.com\/podpora\/\" rel=\"noopener noreferrer\">podpo\u0159it<\/a> i jinak. D\u00edky.<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in \u010ce\u0161tina. S n\u00e1strojem v ruce tr\u00e1v\u00edm \u010d\u00e1st ka\u017ed\u00e9ho dne. V posledn\u00ed dob\u011b si v mnoha oblastech \u017eivota sv\u00e9ho i kolem mne \u010dasto kladu ot\u00e1zku &#8220;Pro\u010d?&#8221;. Jednak se t\u00edm chyst\u00e1m na obdob\u00ed, kter\u00e9 co nevid\u011bt p\u0159ijde u na\u0161ich d\u011bt\u00ed, ale hlavn\u011b mi hled\u00e1n\u00ed odpov\u011bd\u00ed pom\u00e1h\u00e1 snadn\u011bji proplouvat spletitostmi modern\u00edho &#8230; <a title=\"(\u010ce\u0161tina) Pro\u010d, co a jak cvi\u010d\u00edm\" class=\"read-more\" href=\"https:\/\/ondrakozak.com\/en\/2019\/01\/cestina-proc-co-a-jak-cvicim\/\" aria-label=\"Read more about (\u010ce\u0161tina) Pro\u010d, co a jak cvi\u010d\u00edm\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":2986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,37,11,9],"tags":[],"class_list":["post-2975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-atamusic","category-fatured","category-music","category-teaching"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>(\u010ce\u0161tina) Pro\u010d, co a jak cvi\u010d\u00edm &#8211; 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